![]() (Credit: Courtesy of Petro Domenigg / © 2019 Endor Productions / MR Film) He thankfully bursts into tears before he can shoot. But the hazing victim flips out, aiming the gun directly at Wolf. Max chases down the lead student, Wolf, who taunts Max into punching him. It's an excuse to show the hazing ritual, which includes playing Russian Roulette. ![]() He and Reinhardt work it out: "Prove Yourself Worthy. Choose, Zelenka" Max realizes the hazing is still going on, and they race to the school to catch the kids in the act. It's the basis for the code in Daniel's possession Max couldn't crack, a call to hazing. It's the school prayer, and every student learns it. He doesn't attend chapel, and yet he knows it by heart. ![]() Speaking of the synagogue, Max realizes Daniel's mutterings were a Christian prayer. (Amelia flees.) Max's parents are horrified, especially when they learn Amelia doesn't go to synagogue. She walks out, head held high before Rachel can make it downstairs. Once seated, Clara goes in on Max with both barrels and says to go straight to hell, bless her buttons. Bless Clara, she takes one look at Mendel and Max arguing, Amelia yearning to be anywhere else, and proposes they sit down and be civilized. He invites her to stay for tea, only to go downstairs and discover Mendel invited Clara over in hopes of a reconciliation. (Note: the daughter never turns her back on daddy and is visibly frightened of him.) Max thinks she must be the beloved in Thomas' letter, and the two were planning to run away together.Īmelia comes to Max's house to tell him the body was washed clean, so she found nothing. He shrugs the painting off as "youthful infatuation," before firmly insisting his daughter has nothing to do with the case. Bernhard Becker comes home, interrupting the questioning. But when Lang told her a student wanted to paint her portrait, she agreed. She finally admits she's lying because there are strict rules. She's not allowed to interact with the male student body. She pretends she doesn't know Zelenka, even though the background of the painting is the room in her house they're interrogating her in. When they call upon her, they discover that she is Fräulein Becker ( Sophie Stockinger), the science teacher's daughter. Oskar recognizes her as the daughter of one of the professors on campus. He hid the picture because he feared the detectives would see something suspicious in the subject matter. Max turns up because Leah fretting over Daniel's refusal to draw gave him a brainwave. Thomas's sister talked about his paintings, but when did he paint if there were no art classes? Herr Lang admits to teaching Zelenka privately. She gives him the same look all women seem to: What is this obnoxious young man suddenly on my doorstep. Also, Elsa meets Max, and she's not impressed. Perhaps there's hope for these two after all. ![]() At first, he's upset, but then he admits she's right. She tells him she's figuring out how to move on he needs to do the same. That includes throwing out the clothes and toys of their late daughter, Mitzi. While Max is bagging Amelia's evidence samples, Elsa officially moves back in with Oskar, and she's tidying up the stagnant house. (It ends on a handshake.) The experience also doubles as exposure therapy, helping Amelia face her experience there as a patient and come out stronger. He breaks her into the hospital to examine Zelenka's body, in the weirdest nerd-sexy scene PBS has had in decades. Meanwhile, Max visits Amelia to ask her to be the proto-forensic scientist to his proto-mind hunter detective. Florian's, the schoolboys gang up on Herr Lang after he sold them out to the Inspector. Last week, Vienna Blood left the mystery as background noise to the lives Max Liebermann and Oskar Reinhardt are living in the final years of the Austrian-Hungarian Empire. This week continues that trend, opening with Max at the hospital, where he's openly growing weary of Professor Gruner and the so-last-century method of electrocuting patients.Īt St.
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